Glazer’s Fellowship, which is worth £30,000 and provides tailored access to some of the world’s most exciting research, will run for one year from January to December 2015. The current Fellow, Clio Barnard, will complete her Fellowship at the end of this year.
Jonathan Glazer accepted his award from Clare Matterson of the Wellcome Trust at an event filled with interactions between art and science. The evening included Freudian cocktails, scientific illusionists and 'Sex and the City'-inspired therapy sessions, and was attended by guests from the film and science communities.
“Being awarded the Screenwriting fellowship is a unique opportunity: I’m looking forward to being exposed to new influences and ideas and where they might lead me,” he said. “My method of working has always been fluid and receptive, so to be gifted such incredible access will be invaluable.”
This major screenwriting initiative is designed to nurture enquiring minds and unique voices and to bring the worlds of film and science closer together. Jonathan Glazer was selected by members of the Fellowship Panel, which includes script and story editor Kate Leys; Director of Strategy at the Wellcome Trust, Clare Matterson; Senior Development and Production Executive at the BFI Film Fund, Lizzie Francke; and Senior Development Editor at Film4, Eva Yates.
Clare Matterson, Director of Strategy at the Wellcome Trust, said: “To offer a visionary screenwriter the opportunity to delve into the world of biomedical science, with the freedom and flexibility to explore what that might mean to them and their work, is a truly remarkable thing to be part of. It is not just an adventure for them, but for us as well. It has been a great privilege to follow Clio Barnard’s journey over the past year, and we are thrilled that Jonathan Glazer, with his experimental and enquiring mind, will be taking up the Screenwriting Fellowship in 2015.”
Lizzie Francke, Senior Development and Production Executive at the BFI, said: “Jonathan Glazer's 'Under the Skin' was the most compelling and extraordinary cinematic vision of last year – a 2014 odyssey that explored the space between male and female. The Wellcome Trust Fellowship allows him to get under another skin – exploring biomedical science – and we expect that it will have the same audacious and mind-blowing results.”
Eva Yates, Senior Development Editor at Film4, said: “The partnership we’ve built with the Wellcome Trust over the past few years has been brilliant. We share an ethos built around big ideas, which has helped us bring filmmakers and scientists together in a way that's invigorating for both worlds. Through the first fellowship, the Wellcome Trust opened up a universe of inspiration for Clio Barnard, for her next film and beyond. Our second fellow, Jonathan Glazer, is a filmmaker of real vision, appetite and curiosity. We can't wait to see where his journey with the Wellcome Trust takes him.”
The aim of the Fellowship is to allow a writer of exceptional talent the time and space to delve into biomedical science and humanities research. Glazer’s year-long experience will be curated by the Wellcome Trust’s Film and Drama Development Manager Meroë Candy and will give him access to the Wellcome Trust’s global network of research centres, as well as the Wellcome Library, the research centre The Hub and exhibitions at the Wellcome Collection.
Commenting on her experience, Clio Barnard describes the Fellowship as “like being given the Golden Ticket to the chocolate factory… Over the past year I’ve been able to carry out in-depth research into a film I’m working on about a sibling relationship in the context of childhood sex abuse.
“The Fellowship has enabled me to explore the psychology of the victim, perpetrator and collaborator in this story in a much more in-depth way, by talking to professionals such as Jackie Craissati, Adam Phillips and Susie Orbach, who explore forensic psychology and the impact of sexual trauma.”
The purpose of the Fellowship is open-ended. It’s hoped that by enabling Glazer to immerse himself in a world that he would not normally be able to access easily, he will be able to explore themes in science and medicine in more depth and to encourage new conversations about science.
The Screenwriting Fellowship is part of a range of initiatives the Wellcome Trust runs to support writers, directors and producers in exploring biomedical science and its impact on our lives. Most recently, the Trust has launched a dedicated scheme for co-production finance for TV, radio, games and film projects.
The BFI(opens in a new tab) is the lead organisation for film in the UK with the ambition to support a flourishing film environment in which innovation, opportunity and creativity can thrive by:Connecting audiences to the widest choice of British and World cinema Preserving and restoring the most significant film collection in the world for today and future generations Championing emerging and world class film makers in the UK - investing in creative, distinctive and entertaining work Promoting British film and talent to the world Growing the next generation of film makers and audiences.
Film4(opens in a new tab) is Channel 4 Television’s feature film division. Film4 develops and co-finances films and is known for working with the most distinctive and innovative talent in the UK, whether new or established.
Film4 has developed and co-financed many of the most successful UK films of recent years, Academy Award-winners such as Steve McQueen’s 12 Years a Slave, Danny Boyle’s Slumdog Millionaire, Martin McDonagh’s In Bruges and Phyllida Lloyd’s The Iron Lady in addition to critically-acclaimed award-winners such as Mike Leigh’s Another Year, Chris Morris’ Four Lions, Shane Meadows’ This is England, Ben Wheatley’s Sightseers, Clio Barnard’s The Selfish Giant Jonathan Glazer’s Under the Skin and David Mackenzie’s Starred Up,
Film4’s recently released slate includes Lenny Abrahamson’s Frank, Anton Corbijn’s A Most Wanted Man, Lone Sherfig’s The Riot Club, Iain Forsyth and Jane Pollard’s 20,000 Days on Earth, Mike Leigh’s Mr. Turner and Yann Demange’s ’71. Forthcoming releases include Kevin Macdonald’s Black Sea, Alex Garland’s Ex Machina, Peter Strickland’s The Duke of Burgundy, Sarah Gavron’s Suffragette, Todd Haynes’ Carol, Justin Kurzel’s Macbeth, Debbie Tucker Green’s Second Coming and Ben Wheatley’s High-Rise.
The Wellcome Trust is a global charitable foundation dedicated to improving health. We provide more than £700 million a year to support bright minds in science, the humanities and the social sciences, as well as education, public engagement and the application of research to medicine.